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Á¦15ȸ DMZ ±¹Á¦´ÙÅ¥¸àÅ͸®¿µÈ­Á¦(2023)

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  • France
  • 2023
  • 23min
  • 12 +
  • DCP
  • color

Asian premiere

Synopsis

ÇÁ¶û½ºÀÇ ±³¿Ü ÁÖÅà ´ÜÁö ºñÆ®¸®½¬¸£¼¾¿¡¼­ ÀþÀºÀ̵éÀº µ·°ú ¼º°øÀ» ¹Ù¶óº¸°í ÀÖ´Ù. ±×µéÀÇ ²ÞÀº ¸ðµç °ÍÀÌ ¶³¾îÁú ¶§±îÁö °è¼ÓµÈ´Ù. À¯·ÉÀÌ Ãâ¸ôÇÏ´Â µµ½Ã¿¡ »ç´Â »ç¶÷µéÀÌ ´ÙÀ½¿¡ ºùÀÇ ÇÒ ´ë»óÀ» ã¾Æ´Ù´Ï´Â °Íó·³ Àι°µéÀÌ ºÒºÐ¸íÇÑ ¸ñÀûÀ» °¡Áö°í ¼­·Î ¾ôÈù´Ù. 8À̶ó´Â ¼ýÀÚÀÇ ¼øȯÇÏ´Â Çü»óó·³. 

Review

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Director

  • ¾Æ³ªÀ̽º ÅäÇì ÄÚ¸¶·¿Anaïs-Tohé COMMARET

    Of Franco-Chilean origin, Anaïs-Tohé Commaret was born in Vitry-sur-Seine, a suburb of Paris. She explores the sensory potential of the film medium and her work is defined by a back and forth between fiction and documentary. She put this to good use during her studies at Beaux-arts de Paris. She then entered Le Fresnoy – Studio national des arts contemporains where she learned from Ben Russell. She wins the Grand Prix des Amis des Beaux-Arts de Paris in 2019, and then to the Grand Prix for video.

Credit