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°íŸ´Ï Ÿ´Ù½ºÄÉKotani Tadasuke
The Legacy of Frida Kahlo (2015)The Cat That Lived a Million Times (2012)Line (2008)Good Girl (2006)Lullaby (2002) In 2008, Yoko Sano, a picture novelist, announced in her autobiography that she got cancer. When I read it I was seized with the impulse to meet with her. ¡°I let you make a film about me if my image will not appear on.¡± was her word when I first visited her. About one year has passed since then and I have done nothing but broken myself into pieces in front of ¡°simple¡± Yoko. Looking back and thinking, I didn¡¯t pity her nor wanted to encourage her to fight against cancer∙∙∙. I just wanted to break my fixed ideas. There has been a tendency that people consider death as a negative thing, though I¡¯d rather oppose it. Having said that, I might have admitted that death is negative. Yoko has broken ¡®myths¡¯ based on Japanese humanism or social justice after the war by creating picture novels about life-after-death of her young brothers, father and mother with whom relationship was difficult. Meeting with such a person for a year has made me confused and felt myself being broken. After the destruction, the next step is regeneration. One of Yoko¡¯s famous novels ¡°The cat with a million lives¡± was published in 1977 and I was born in this year. My mother used to read it for me. The story about death and life of the cat was very scaring to me. It clearly showed that every living thing will die. I visited various people to collect their life-after-death stories along with interviewing Yoko. A person who suffers from Gender Identity Disorder, a woman had a stillborn baby, a girl doesn¡¯t know who are her parents, a woman visiting her uncle who suffers from cancer, a woman receiving artificial insemination therapy many times, wife of an artist who has been in a coma and widow and her children living in the house with pictures of her late husband everywhere and etc. Through talking with these people, I collected the life-after-death to shoot this film. This film is the process of the destruction and reproduction of a movie director through the picture novelist Yoko Sano and her readers.
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