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Á¦8ȸ DMZ ±¹Á¦´ÙÅ¥¸àÅ͸®¿µÈ­Á¦(2016)

I AM DOCU



±â¾ï°ú ÇÔ²² »ê´ÙLiving with the "Memories"

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µµÀÌ Åä½ÃÄí´Ï

  • Japan
  • 2015
  • 215min
  • DCP
  • color

Synopsis

¡®³ª´®ÀÇ Áý¡¯Àº ÀϺ» Á¦±¹ÁÖÀÇ ½ÃÀý À§¾ÈºÎ¿´´ø Çѱ¹ ÇҸӴϵéÀÌ ÇÔ²² »ì¾Æ°¡´Â ½Ã¼³ÀÌ´Ù. °¨µ¶ÀÌ ¡®³ª´®ÀÇ Áý¡¯À» óÀ½ ¹æ¹®ÇßÀ» ¶§´Â 1994³â ¿©¸§À̾ú´Ù. ÇҸӴϵé°ú ¸¸³ª À̾߱âµéÀ» µéÀº ÈÄ, ±×´Â ÀϺ» Àú³Î¸®½ºÆ®·Î¼­ ÇҸӴϵ鿡 ´ëÇØ ´õ ¾Ë Çʿ並 ´À²¼´Ù. 4°³¿ùÀÌ Áö³­ ÈÄ, ±×´Â ÇҸӴϵéÀÇ ¸ñ¼Ò¸®¿Í »îÀ» ±â·ÏÇϱâ À§ÇØ Ä«¸Þ¶ó¸¦ µé°í ¡®³ª´®ÀÇ Áý¡¯À» ´Ù½Ã ã´Â´Ù.

Review

ÀϺ»±º À§¾ÈºÎ ÇÇÇØÀÚµéÀÌ ¸ð¿© °øµ¿»ýÈ°À» ÇÏ´ø ¼­¿ï ÇýÈ­µ¿ÀÇ ¡®³ª´®ÀÇ Áý¡¯. Ãʱ⠡®³ª´®ÀÇ Áý¡¯¿¡ ÇÔ²² »ì´ø °­´ö°æ, ±è¼ø´ö, ¹ÚµÎ¸®, ¹Ú¿Á·Ã, ÀÌ¿ë³à, ¼ÕÆÇÀÓ ÇÒ¸Ó´Ï´Â ÀÌÁ¦ ¼¼»ó¿¡ ¾ø´Ù. 2013³â¿¡ ´Ù½Ã ãÀº °æ±âµµ ±¤ÁÖ ¡®³ª´®ÀÇ Áý¡¯¿¡´Â ¹¦ºñ¸í¸¸ÀÌ ³²¾Æ ÀÖ´Ù.

ÇÏÁö¸¸ ÇҸӴϵéÀÌ ÅäÇس½ ±â¾ïµéÀº °í½º¶õÈ÷ Ä«¸Þ¶ó¿¡ ´ã°å´Ù. ÇҸӴϵéÀÇ ÀÏ»óÀº °úÀåµÇÁö ¾Ê°í ¼Ò¹ÚÇÏ°Ô ´Ù°¡¿Â´Ù. ÀÌ »ç¼ÒÇÏ°í Æò¹üÇÑ ÀÏ»óµéÀÌ È¤µ¶Çß´ø ÇÇÇØÀÇ ±â¾ïµé°ú ±³Â÷µÈ´Ù. ¿Â¸ö¿¡ ±íÀº »óó·Î ³²¾Æ ÀÖ´ø ±â¾ïµéÀÌ ÀÚ½ÅÀÇ ±×¸° ±×¸²À¸·Î µå·¯³­´Ù.

ÀϺ»±º À§¾ÈºÎ ¹®Á¦°¡ Á¦±âµÇ°í °í³ë´ãÈ­, ±¹¹Î±â±ÝÀ¸·Î À̾îÁö´ø ½Ã´ëÀÇ È帧Àº 20³âÀÌ Áö³­ Áö±Ý ÆÇ¿¡ ¹ÚÀº µí º¹±âµÇ°í ÀÖ´Ù. ´Ù¸¥ °ÍÀÌ ÀÖ´Ù¸é ÇÇÇØÀÚÀÇ µ¿ÀÇ ¾øÀÌ Çѱ¹ Á¤ºÎ°¡ ÀϺ» Á¤ºÎ¿Í ÀϺ»±º À§¾ÈºÎ ¹®Á¦ÀÇ ¸ÅµìÀ» À§ÇØ ¡®ÇÕÀÇ¡¯¸¦ Çß´Ù´Â »ç½ÇÀÌ´Ù.

ÇҸӴϵéÀÌ ¹æ¿¡ ¸ð¿© ¡°¡®»çÁËÇ϶ó, Áø»ó±Ô¸íÇ϶󡯶ó°í Çߴµ¥ µ·À¸·Î ÇØ°áÇÏ·Á°í ÇÏ¸é ¾È µÇÁö¡±¶ó¸ç ³ÌµÎ¸®ÇÏ´Â Àå¸éÀº ÀϺ»±º À§¾ÈºÎ ¹®Á¦°¡ °áÄÚ Á¾°áµÇÁö ¾Ê¾ÒÀ½À» °­·ÂÇÏ°Ô ½Ã»çÇÏ°í ÀÖ´Ù. ¸¶Áö¸· ¼ø°£ º´»ó¿¡¼­ °­´ö°æ ÇÒ¸Ó´Ï°¡ ³²±ä ¸»Àº À¯¾ðÀ¸·Î °¡½¿ ±íÀÌ ³²´Â´Ù. ¡°³¡³¡³» ½Î¿ö¾ßÁö.¡± [¾ÈÇØ·æ]

Director

  • µµÀÌ Åä½ÃÄí´ÏDoi Toshikuni

    Breaking the Silence (2009)Unheard Voice (2009)Fallujah, April 2004 (2005) I produce this documentary to bring more reality to the discussion, and to leave a record that the former ¡®Comfort Women¡¯ of the Japan Imperial Army were real—real individual with real names. I entitle this film, Living with ¡°Memories¡±. The former ¡®Comfort Women¡¯ survived the war and the following decades while carrying the burden of deeply engraved, painful memories. Some of the testimonies made by the ¡®Halmoni¡¯ may have some inconsistencies in time or place. But they are unquestionably the memories, documented by myself, a journalist from the offender country of Japan. All of the seven Halmoni appearing in the film have already passed away. The testimonies they left behind have become valuable historical records.​ 

Credit

  • ProducerDoi Toshikuni
  • Cinematography Doi Toshikuni
  • Editor Doi Toshikuni
  • Sound Fujiguchi Ryota

Contribution / World Sales

Contribution / World Sales  Doi Toshikuni

E-mail  doitoshi@fine.ocn.ne.jp

Website  http://www.doi-toshikuni.net​