Jean-Claude Rousseau's full filmography shows the trajectory of his stubborn effort to see the purest image itself. As in many of his previous films, Jean-Claude ROUSSEAU sits in front of the camera in The Tomb of Kafka. This time, it's a hotel room in Prague, which only has large windows and simple furniture. He spends his time wandering about the room, opening and closing windows, or sitting on a sofa or chair. As the title and synopsis suggest, the master of this experimental film follows the advice of the novelist Kafka: “Do nothing, simply be quiet and alone, letting the world reveal itself”. While waiting for an event or image to change, it suddenly hits us: Jean-Claude Rousseau himself is part of the image, and the boundaries in between are meaningless. It is the world of the most accurate frames that he has searched for a long time.​