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* All program details, schedules, and guest attendance are subject to change.
* Interpretation will be provided only for events specifically marked as offering it.

Master Class

A class program offering an opportunity to hear leading masters who have transformed the aesthetics of documentary cinema discuss their philosophies, worldviews, and approaches to creation.

* Approx. 90 minutes

Kamal Aljafari: The Image Struggle for Cinematic Justice
OverviewKamal Aljafari, whose films transform geopolitical questions into matters of cultural identity, discusses ¡°cinematic justice¡±: reclaiming images seized by the occupier and restoring them to their rightful place.
ModeratorJANG Byungwon (Head of Programming, DMZ Docs)
GuestKamal ALJAFARI (Director)
DateSep 13 (Sun) 16:20 (after the screening of Recollection + It¡¯s a Long Way from Amphioxus)
VenueMEGABOX Kintex 7
* Simultaneous Korean-English interpretation
Basma al-Sharif: Far from Palestine, Close to Images
OverviewMoving between the cinema screen and the white cube, Basma al-Sharif¡¯s practice imaginatively constructs images of Palestine from outside Palestine, remapping familiar territories in strange and unexpected ways. This master class examines an artistic practice that moves beyond the representation of tragedy to continually expand Palestine as a territory of images.
ModeratorMOON Juhwa (Programmer, DMZ Docs)
GuestBasma al-SHARIF (Director), KIM Byeonggyu (Film Critic)
DateSep 11 (Fri) 19:30 (after the screening of Morning Circle + Old Masters + Home Movies Gaza)
VenueMEGABOX Kintex 7
* Simultaneous Korean-English interpretation
Erika Balsom: Why Landscape?
OverviewIn the wake of the Anthropocene, how do humans coexist in discord within the ecosystem? Erika Balsom—researcher, film critic, and author of An Oceanic Feeling: Cinema and the Sea, which explores from multiple perspectives the relationship between the fluidity of the ocean and the specific mediality of cinema—examines works presented in the Eco-Documentary section in this special lecture.
ModeratorMOON Juhwa (Programmer, DMZ Docs)
GuestErika BALSOM (Critic / Reader in Film Studies, King's College London)
DateSep 12 (Sat) 19:10 (after the screening of Ten Skies)
VenueMEGABOX Kintex 7
* Simultaneous Korean-English interpretation

Docu Talk

A forum that brings together filmmakers, critics, popular-culture practitioners, programmers, and other guests to share and discuss their knowledge, perspectives, and interpretations through a range of subjects, debates, and contemporary issues.

* Approx. 60 minutes

Eco-Documentary: Online Conversation with Hamaguchi Ryusuke
OverviewDiscussions of the Anthropocene, which gained momentum in the 2000s, have had a profound impact on documentary cinema. In an in-depth conversation with Hamaguchi Ryusuke, director of the Tohoku Trilogy made in the aftermath of the Great East Japan Earthquake, we consider the aesthetic and social practices of documentary that reconfigure the relationships between human and nonhuman, nature and civilization, coexistence and discord.
ModeratorMOON Juhwa (Programmer, DMZ Docs)
GuestHAMAGUCHI Ryusuke (Director)
DateSep 13 (Sun) 12:30 (after the screening of Storytellers)
VenueMEGABOX Kintex 4
* Approx. 90 minutes
* Consecutive Korean-Japanese interpretation
Critics' Choice Conversation: The Subject-and-Form Equation in Documentary
OverviewOrganized by the Critics¡¯ Choice selection committee, this conversation examines how the formation of rapport—often regarded as one of the fundamental conditions of documentary filmmaking as a relational practice—shapes the very existence, modes of production, and language of documentary cinema. Focusing on Karma and Miari Texas, the discussion considers the relationship between the filmed subject and cinematic form.
ModeratorHAN Changwook (Critics' Choice Selection Committee / Film Critic)
GuestKIM Myunwoo (Director, Karma), JANG Yunmi (Director, Miari Texas), PARK Dongsoo (Film Critic)
DateSep 12 (Sat) 14:00 (after the screening of Karma)
VenueMEGABOX Kintex 6
* Approx. 90 minutes
* Korean only (no interpretation provided)
Depardon the Witness, or the Cinema of an Archivist Preserving Life
OverviewAntoine Thirion, programmer of Cinéma du Réel, discusses the work of Raymond Depardon, who has consistently used photography and cinema to document, preserve, and reflect on human activity as a witness to life.
ModeratorJANG Byungwon (Head of Programming, DMZ Docs)
GuestAntoine Thirion (Programmer, Cinéma du Réel)
DateSep 12 (Sat) 16:00 (after the screening of San Clemente)
VenueMEGABOX Kintex 5
* Consecutive Korean-English interpretation
Portraits of a Vanishing Humanity: On the Profiles Farmers Trilogy
OverviewFocusing on Raymond Depardon¡¯s Profiles Farmers trilogy, this talk considers what it means to document the remnants and disappearance of the agricultural world, one of humanity¡¯s most fundamental ways of life. Depardon is the central figure of the archival program Witness Depardon, or the Cinema of an Archivist Preserving Life.
ModeratorJANG Byungwon (Head of Programming, DMZ Docs)
GuestAntoine Thirion (Programmer, Cinéma du Réel)
DateSep 13 (Sun) 10:30 (after the screening of Profiles Farmers: The Approach)
VenueMEGABOX Kintex 6
* Consecutive Korean-English interpretation
Cinema of the Wanderer Who Remains on the Road
OverviewFilm critic Kim Haery speaks with director Alexander Murphy about Tin Castle, a film that portrays a nomadic family living in an old trailer with an impressionistic style and deep lyricism.
GuestKIM Haery (Film Critic), Alexander MURPHY (Director, Tin Castle)
DateSep 12 (Sat) 19:00 (after the screening of Tin Castle)
VenueMEGABOX Kintex 4
* Consecutive Korean-English interpretation
Belonging Nowhere — A Sense That My Place Is Out There Somewhere
OverviewWriter and comedian Geumgae speaks with director Viv Li about Two Mountains Weighing Down My Chest, a film that moves between Beijing and Berlin while exploring queer identity and the question of finding one¡¯s place. Their conversation turns to the sense of longing for freedom, only to find oneself at odds with the freer place once one arrives; the process of creating work from one¡¯s own life story; and the ways humor is put to use along the way.
GuestKeumgae (Writer/Comedian), Viv LI (Director, Two Mountains Weighing Down My Chest)
DateSep 13 (Sun) 20:00 (after the screening of Two Mountains Weighing Down My Chest)
VenueMEGABOX Kintex 7
* Consecutive Korean-English interpretation

Club Cinema

Club Cinema is an event combining screenings and critical discourse, led by programmers from microcinemas and community cinemas that enrich the landscape of film culture. Participating organizers select works from the festival lineup and independently curate and host their own programs. This year, four active groups—Lothringen, SALT, and Image Book—take part in Club Cinema.

* Approx. 90 minutes
* Korean only (no interpretation provided)

Lothringen: How to Look at the Sky
OverviewThere is a sky within the frame. This simple form often carries the stigma of being demanding, or overly conceptual, cinema. Before us are ten images of the sky. From what position, and through what method, did the filmmaker arrive at them? That is the first question. The second is simpler: how might we enjoy this film simply, purely, as something to be seen and heard?
HostIL hwan(Programmer, Lothringen), PARK Kyujae(Programmer, Lothringen)
DateSep 13 (Sun) 16:30 (after the screening of Ten Skies)
VenueMEGABOX Kintex 4
* Lothringen: A film collective composed of filmmakers, Lotringen introduces contemporary and personal films made outside conventional industry structures. Its programs encompass works situated in the gray area between documentary and experimental film, as well as films that reveal the world through a continuum of images rather than verbal narration.
SALT: What It Means to Watch Together — From Screening to Communing
OverviewTaking the screenings of Afterlives and Recording with Mother "Working Hands¡± as a starting point, we consider together the process by which a film reaches the screen, and what remains once it is over. The four programmers behind this program have each created spaces for collective viewing in different ways—running venues, curating, organizing screenings around social issues, and developing small-scale film programs. By sharing their experiences and concrete examples, they will discuss the possibilities and challenges that arise when screening is understood as a communal practice.
HostMaya WEST (Founder, SALT), LEAM Sooyoung (Independent Curator), KIM Hannah (Organizer, "Films for Freedom" screening series), LEE Hajin (Organizer, "SALT Cinema" screening series)
DateSep 12 (Sat) 16:10 (after the screening of Essay Compilation 3)
VenueMEGABOX Kintex 8
* SALT: SALT is a space, a project, an experiment, an essential mineral, and an independent venue that takes leaps of faith. Hosting a wide range of activities across the visual arts, including screenings, it embraces diversity of genre while placing process and questions at its center, continually seeking new forms of evolution.
Image Book: The Conditions of Youthness
OverviewBetween the abandonment of childhood and the duties of adulthood, this program considers what ¡°youthness¡± might mean in film and documentary.
HostGEUM Dong-hyeon, YU Pyeong-in, YOON So-hee, LEE Ra-jin (Image Book)
DateSep 15 (Tue) 16:30 (after the screening of I Heard That They Are Not Going to See Each Other Anymore)
VenueMEGABOX Kintex 4
* Image Book: Founded by members of the Archive Daegu Film, Imagebook was established to foster a vibrant film culture in Daegu. It screens a wide range of films that receive little circulation in Korea, and particularly in Daegu, while organizing related events. It also introduces books and publications on cinema.