In an auditorium, a group of people gathers. In their hands are musical instruments. An unusual aspect of their gathering is that all their instruments are broken, snapped, or rusted. The hundred musicians who differ in experience, age, gender, race, and language prepare for a performance to be held at a festival at Jerusalem. That Orchestra with Broken Instruments is a documentary that made by Israelite directors Yuval HAMEIRI and Michal VAKNIN which records the process of the festival’s making. The scene in which these performers, composers and directors collect the broken instruments and gather at the auditorium to immerse themselves in the rehearsal is a reproduction of Jerusalem stained by struggle and collision. The members who comprise of this ad-hoc orchestra do not question each other’s origins, backgrounds, or ideas; they only make sound with their instruments to achieve one goal: to create harmony which will take place as one single performance. If there is a place for any musical notes, so there will be for any other existence in the city. This is an art’s alternative solution to the Jerusalem, a city of dissonance.​