A new film directed by Abbas Fahdel, who won the grand prize at the 7th DMZ Docs for Homeland (Iraq Year Zero. Tracing the activities, thoughts, and daily routines of director Fahdel's wife and visual artist Nour Ballouk, it deals with the classic theme of "Can art save the world?". The film consists of various series of images ranging from a personal record of an artist couple that conveys the reality of life, the daily life of neighbors unaffected by the flow of the outside world, the political situation in Lebanon, cats wandering around the purple house, children of life unrelated to the troubled world, and the artist's self-consciousness looking at the world's suffering. The formal core motif of this reflective documentary is the multiple instances of the frame. The frame of the camera filming documentary, the frame of the canvas of the painter Nour, and the frame of the monitor where TV news and movies are screened form a multi-layered context. The film reflects a firm belief in the power of images in images overflowing with life and death, hopes and sorrows.​