At the 18th DMZ Docs, all screenings are due to start on time. Late arrivals will only be admitted in the first 15 minutes.
For short film compilations, entry is only allowed after the first film ends.
However, for Korean Competition Shorts 2 and 3, latecomers may enter up to 15 minutes after the screening begins, taking into consideration the running time of the first film.
¡Ø The order of films in combined screenings may be subject to change without notice.
(Screening Code 136, 224) Korean Competition Shorts 1
The House Without a Roof, A Pastor in a Cannabis Field, Back, Crawling over, Miari gogae
(Screening Code 241, 423) Korean Competition Shorts 2
On Wheels ±¼·¯°¡¸ç (gulleogamyeo), Between the Notes, What the Land Remembers
(Screening Code 137, 324) Korean Competition Shorts 3
The Haunted Cat and the Unfolding Petroglyph, you may be the last witness around okinawa island, Da Don Ta
(Screening Code 101, 304) Aanikoobijigan [ancestor/great-grandparent/great-grandchild], For the Opponents
(Screening Code 229, 521) Waking Hours, Champ de Mars
(Screening Code 114, 606) Visit into Irradiated Land, Bouchra
(Screening Code 125, 207) Essay Compilation 1
like moths to light, Ecce Mole, Underground
(Screening Code 134, 336) Essay Compilation 2
The Joyless Economy, Little Poems in Prose
(Screening Code 225, 503) Essay Compilation 3
Afterlives, Recording with Mother "Working Hands"
(Screening Code 206, 413) Expanded Shorts 1
The Revolution Against Death, Fahrenheit, Another Earth, Rojo Žalia Blau
(Screening Code 240, 326) Expanded Shorts 2
Normal Planet, Miriam, Local Sensations, Frame on Color Bar x AI on Frame
(Screening Code 105, 602) Visit Iraq, Port of Memory
(Screening Code 201, 531) Balconies, The Roof
(Screening Code 129, 321) Recollection, It¡¯s a Long Way from Amphioxus
(Screening Code 202, 327) An Unusual Summer, Paradiso, XXXI, 108
(Screening Code 332, 508) UNDR, A Fidai Film
(Screening Code 421, 523) Going Home, Masao Adachi Takes a Passport Photo
(Screening Code 318, 419) Mekong Hotel, Sakda (Rousseau)
(Screening Code 406, 517) Tales the Water Told, The Araon Log
(Screening Code 227, 433) Eternal Snow, TAMASHI
(Screening Code 103, 603) Oh, Valentine, Undocumented Mona Lisa
(Screening Code 104, 529) And the Moon Sets over the Temple That Was, A Real Christmas
(Screening Code 205, 510) Last May in Theaters, Beyond Now, Nyein
(Screening Code 127, 319) Welcome to Set, Yakiniku ToRaJi
(Screening Code 118, 404) Morning Circle, Old Masters, Home Movies Gaza
(Screening Code 511) Barrier Free Shorts
Between the Notes, Da Don Ta, A Pastor in a Cannabis Field
In accordance with the director¡¯s artistic intention, the film begins with approximately 16 seconds of black screen.
In accordance with the director¡¯s artistic intention, the film contains some dialogue that has been intentionally mistranslated or left untranslated.
The film contains no dialogue or sound.
The film contains some scenes with flashing lights. Viewer discretion is advised for those who are sensitive to light.
The film contains some scenes with flashing lights. Viewer discretion is advised for those who are sensitive to light.
Subtitle information for the 18th DMZ International Documentary Film Festival. When booking and watching the films, please refer to the following information.
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