Director Lee Kang-hyun is inherently dedicated to revealing dominant systems, identifying errors within the workings of these systems, and constructing a chain of these errors to cultivate a force directed outward from the system. These three aspects are fundamentally intertwined within all of his works; however, they manifest with subtle differences in his three featured films. While The Description of Bankruptcy highlights the reproduction of the system, The Color of Pain emphasizes errors in its operation, and in Possible Faces the struggle to find ways in which errors can chain together seems central. Characters, when unable to adapt or struggling within the system, often look beyond their immediate surroundings rather than just focusing on the ground ahead, pausing to see distant horizons. This film cinematically captures such moments while aiming to carve paths untouched by the system. The director's unwavering refusal to compromise with hasty expectations and beliefs persists, and a syntax that bestows more hope or meaning upon things that briefly appear and disappear is absent in this film. Nonetheless, the continuous chain of moments that doesn't fade away doesn't depict a future unfolding along a single straight line, yet, in front of the advancing time, the director's final work stands resolutely, reminding us that it's our task to propel the force of this chain forward.