Eopu Eopu is a diary film that records the marriage and daily life of film director Park Baeil and his lover and elementary school teacher, Hwang Namim, and the film shows a branch of personal documentary. Eopu Eopu starts with a couple getting married at a theater and screening their collaborative film. The film sets the director himself as the narrator and freely captures the records and observations of his own life. The stories of two people take the form of an autobiographical film production method that grants privilege to ordinary days and emphasizes the narrator’s subjectivity in the format of film inside film. This way, the film frankly exposes the characteristics of attachment between yearning and dispute, the values of dating and marriage, and the tension between reality and creation. The film goes beyond the simple records of ordinary illustrations and offers an opportunity for deeper contemplation on time. The narrator’s voice, presence, and stream of consciousness show the power of film that anyone can film his or her private life and disclose it openly. Eopu Eopu  is more about the artist’s story rather than the story of life. The film uses the story of life journey and self-reflexivity to celebrate the couple’s determination to walk own path by reflecting on the relationship between film, ordinary life, and love.