by the director Im Heung-Soon relates to his previous film, Factory Complex. If Factory Complex pays attention to the women workers who are the driving force behind the condensed industrialization and its victims at the same time, focuses on the women from North Korea as active subjects who have moved and disturbed the Division and also as the most vulnerable people under Division Structure. Because they are women, they could cross the border and leave North Korea, but they experienced a lot of pain and discrimination. Since North Korean famine in the mid-1990s, controlling the population has been weakened and some women could be so active to make a long journey to South Korea with crossing the border. However, their migration had been a series of terrible experiences, such as purchasing marriage, human trafficking, violence, etc., and they can hardly be free from discrimination and prejudice in Korea that they went through hell and high water to arrive.

describes calmly the life in North Korea, fears and hesitation about crossing the border, the course of their migration through China and a third country, and their difficult daily lives in South Korea, based on the interviews with ten women from North Korea. The director's unique poetic images and music, juxtaposed with their touching interviews, bring another narrative development to the film. The film poses serious questions related to living as a woman on the Korean peninsula and the conditions of women under the Division Structure, in depicting 'Ryeohaeng' of the women from North Korea who cannot settle down nowhere and live a roaming life as ever. [Kim Seong-gyeong]​