Skipper Soleiman portrays the landscape created by nature and human intervention, and people in it. The landscape includes a salt desert which the receded lake changed into, the boats which stood still in the middle of desert, etc. Soleiman, or once a skipper tries to follow the plough, but it does not work as he wishes. He spends his time day by day, riding his bicycle, circling the salt lake, and looking around this and that boats. This film does tell about the rapid climate changes, but it does not want to bring that environmental issue as journalism would do. It portrays grief and beauty created by nature and human in silence, and captures a man who holds those feelings and lingers on his life quietly. [Hwang Miyojo]