Sheriffs Victor and Volodya are too busy to find time to breath in a small village in Southern Ukraine. They look like old fashioned men for some reason, who drive a yellow car came out in the 1970s and rush to the scene. But that doesn't mean the work they have is a frivolous waste of time. A husband beating his wife, a man smashing the doorknob of a neighbor's house, a hobo who ate a neighbor's little dog, a young man dodging military service. The film depicts the village people in their everyday lives with the eyes of the detective, by following two sheriffs busy to solving the problems that these people caused.

In the meantime, the realistic point of view and the romantic eye intersect with each other in the film. The director shows villagers who enjoy their leisure time in the carnival like atmosphere, and captures keenly the seeds of strife and conflict hiding around the town, as well. Some of its inhabitants are trying to establish a community, under the official authorization from the Ukrainian government. There is a heated dispute about the legitimacy of establishing a community and the representative of the village council. These conflicts between the village people could be a matter of procedure arising from the investigation of public opinions in a sense, but also it could be considered the issue related to the Ukrainian history gaining the independence from the Soviet Union in a wider perspective. The film examines Ukrainian politics, economics, law and history through observing a little village in remote parts of the country. [Lee Do-hun]​