Macabit ABRAMSON, Avner FAINGULERNT
War Matador is a disturbing essay about war and tourism, an absurd, surreal journey into a beloved country whose bleeding wound determines their existence. During the war in Gaza in 2009, people came from all over Israel to observe the heavy smoke rising over Gaza. As if it were an ¡®arena¡¯, Gaza is depicted in this film as a Corrida with a Matador and a Bull, a cycle where the victimizer and the victim combined offer no answer or resolution except man¡¯s addiction to the myth of power and his continual gravitation towards the darkest places of his soul. So, this film is more than a documentary film. It is, perhaps, the best movie that helps us understand what has happened to Israel in the recent period and how many Israelis have evolved, say, since the failure of the peace negotiations in 2000 and the following Palestinian intifada that started then. The courageous Israeli directors of the film do not answer, do not impose an answer, and they don¡¯t need to answer. They just let its images speaking, and it¡¯s more than enough.
Macabit ABRAMSON
Macabit Abramson works as a lecturer of cinema and culture at the Sapir Academic College. She is also a filmmaker of documentary and experimental films. Her recent films won several awards and were screened in art cinema houses and aired on TV channels in Israel and Europe. War Matador (2011) Matador of Love (2006) Men on the Edge – Fishermen¡¯s Diary (2005) Eva (2002)
Avner FAINGULERNT
Avner Faingulernt is the Head of Film and TV School Sapir College, initiator and director of Cinema South Festival, Chief Editor of Cinema South Notebook magazine and Curator of Cinema South Notebook. War Matador (2011) Matador of Love (2006) Men on the Edge – Fishermen¡¯s Diary (2005) Eva (2002)
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