Sammaria Simanjuntak, Sally Anom Sari
Ayu Riana who lives in a small city located in West Java, Indonesia had a major life-change when she won a Dangdut competition held by a national broadcasting station two years ago. Since then she became the breadwinner of the family by performing at various events. With her earnings, her sister acquired a motorbike and her family was able to build a new house. But to the 14-year-old Riana, who is still a child on the verge of adulthood, life is not that easy. Dangdut, as a pop music genre enjoyed by working class male in Malay culture, reminds us of Korean ¡®trot music¡¯ accompanied by daringly pornographic choreography. Because no one can be recognized as a Dangdut singer before the legal age of 16, Riana can only present a Dangdut-like act. However this doesn¡¯t mean her appearances on stage leave out the sexual aspects of the performance. The explicit emphasis on Dangdut¡¯s female sexuality reveals the contradictions of Indonesia as having the World¡¯s largest Islamic population but being a relatively secular state. The camera carefully explores the reality and conditions Riana is placed in as it fixes its gaze on the male audience¡¯s desire, expressed in the eyes that watch her perform. 5 Minutes to Fame Ah¡¦ah¡¦ah is one part of the 2010 omnibus documentary Working Girls produced by the Kalyanan Shira Foundation which has been the center of Indonesian women¡¯s film production after the 1998 reformation. (PARK Sohyun)
Sammaria Simanjuntak, Sally Anom Sari
Both graduated from the prestigious Bandung Institute of Technology and took a detour in choosing to be a filmmaker. Together they made their first feature narrative, Cin(t)a, and got several awards recognition domestically and internationally, including Jiffest 2009 Audience Award. 5 Minutes to Fame Ah¡¦ah¡¦ah is their first documentary. Cin(t)a (2009)
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