Wan-soon was a diver. Now she is the chairperson of the 4.3 survivors' group in Bukchon-ri, Jeju Island, where she helps survivors get compensation and helps the elderly in the village get jobs. At night, she paints. The white canvas in front of her unfolds her memories as a survivor of Jeju 4.3 and a bereaved family member. The director helps her draw, guiding her to give form to memories that she had to keep to herself for a long time. It is the simple animation that brings both practices, drawing and oral history, to life. These revitalized memories become the starting point for uncovering buried histories and healing unhealed wounds. At a time when the Western Youth Organization and other defenders of the genocide are still at large, this is a delicate and fragile documentary practice with lasting resonance.