Wang Bo's new work is full of historical sensitivity and cinematic imagination. The short begins in 1965, when the U.S. Treasury Department imposed an embargo on "Asian hair," or wigs. Later, the embargo was limited to "communist hair," and South Korea emerged as the center of the wig industry, with Hong Kong becoming the center of the trade. The director retells this history through the story of a woman's wig. Like the meaningful last words of the wig, which traveled between Asia and the United States along the tides of colonization and the Cold War, goods are always transformed and hide the past, but the past does not disappear but reappears. What more insightful allegory could there be for Hong Kong, a vestige of colonization, a frontline of the Cold War, and a center of transnational exchange?