In this movie, the two women who exchange letters are fictional characters named Maria from Romania and Zahra from Iran. The content of their correspondence draws from Romanian secret police records, Romanian artist Nina Cassian, Iranian artist Forough Farrokhzad, and other references. The fictional letters that run through the list of references offer a new way of looking at two revolutions that occurred in different spaces with a time gap: the 1978 Iranian Revolution and the 1979 Romanian Revolution. The Iranian Revolution dismantled a dictatorship in the 1980s, while Romania fell under a dictatorship around the same time. In 1989, the leader of that dictatorship was publicly executed during the Romanian Revolution. The fictional letters do not let these events remain isolated within the histories of individual countries. While emphasizing the common desires of the people, they also reflect on another mistake or repetition that followed the revolutions. The key point is that the "two women" are the voices behind the expressions. The film highlights the Iranian Revolution as a gender revolution, critiques the Iran-Iraq war that followed the Iranian Revolution and reflects on the rapid transformation into a consumer society after the Romanian Revolution. This is achieved through an intimate conversation in the form of "letters," creating a space where the "two women" serve as subjects of discourse. This narrative revolves around excluded voices in history, creating a fictional method to establish emotional connections and triggering reflections on historical writing and cinematic experiences.