Hospitals are spaces where individual bodies become public subjects. The unique stories of each body are diagnosed, categorized, treated, and reported within these institutional settings. Our Body gazes at this institutional space, providing an intellectual yet empathetic documentary that illuminates the areas excluded by the binaries of tradition. Claire Simon's camera remains within the maternity ward of a hospital in Paris, capturing the intimate conversations and emotional flows among individuals within a specific social environment. The subjects are diverse: from a teenage girl facing an unintended pregnancy, couples undergoing fertility treatments, transgender individuals needing hormone prescriptions, mothers and fathers in the delivery room, patients suffering from female ailments, and medical staff, to women protesting medical violence outside the hospital. Interestingly, the scenes captured through an observant approach lead the audience into an experience akin to engaging in conversations with the subjects. Then, unexpectedly, in the latter part of the film, an unforeseen figure appears before the camera: Claire Simon herself, who was diagnosed with breast cancer during production. Her presence enhances the film's consistent portrayal of emotional empathy, reaching its climax. The film presents a new path, neither mystifying women's bodies to hide them in private domains nor objectifying them to regulate them in public spaces. The moment the phrase Our Body resonates takes on a profound significance.