A plot dividing inside as fiction and outside as reality is a commonly used composition in narratives that cover the border between documentary and fiction. What Is the Weather Like There takes this composition, just like Director Chae Hyeongsik’s former film, Invisible Actors. The film features scenarios and lives expressed by Actress Yoo Yu-lim who plays multiple roles. In the film, Yoo criticizes and argues back the story script, acts as a mother whose son is an unknown actor, and gets involved in similar situations. The image track occasionally displays texts from the script and they sometimes repeat in different angles, as if they are trying to imprint their properties. Should it be seen as the exploration of conditions of the actor’s presence? Or is it trying to point out the nature of human who acts regardless of occupational duties? The settings are acceptable when they are interpreted as the conditions of films and documentaries. The majority of images are flat, and monologue and conversation are out of focus. Even though acting and life are strictly separated, the borders gradually get vague in the film. This asks the question of the borders between film, documentary, and reality.