“Damnatio Memoriae” is a name of the punishment from ancient Rome, and it completely erased all records of condemned people as if they never existed. Damnatio Memoriae was inflicted upon traitors, tyrants, and executed empresses, and it was the worst punishment, even harsher than the death penalty. Damnatio Memoriae is a found footage to recover the memories lost in Asian history. The director paints modern history with countless photographs from the age of imperialism to the present as if he found a basket of photographs discarded for Damnatio Memoriae's punishment. Damnatio Memoriae features chains of images with historical memories deleted under the names of war, national development, scientific development, and popular culture. The music and caption languages are the needle and thread that rearrange and restore the photographs. The director finishes Damnatio Memoriae with the intertitle of “Never Ending” paradoxically as if the basket of condemnation is never to be emptied. The film seems to say that the deleted memories of Asia can be restored at any moment. Can the needle and thread weave the memories of struggling and resisting history? Where is the basket with photographs of historic memories?