Æ®·¹ÀÏ·¯ Àç»ý
Heinz EMIGHOLZ
Two men sit on the shady raised platform of a brick building somewhere in Montevideo. They are submerged in a conversational marathon that never ceases throughout the entire film. The younger of the two is an analyst; the older man his analysand. The starting point of the six-day marathon is the psychological and physical block that prevents the director from starting a last great film, the "Streetscapes saga".
Heinz EMIGHOLZ
Heinz Emmichholz explores the boundaries between art and film through a variety of mediums, including film and drawing. His early works are experimental from the perspective of architecture, and he was described by Variety as ¡°architecture's most accurate observer¡±. His films document the origins, fate, history, and demise of architectural modernism.