Germany200037minDCPColor12
Korean Premiere
Sullivan¡¯s writings and constructions set out central positions of modernism, including its ambiguity. His organic ornamentation, conceived and created in conjunction with modern methods of construction, was barely noticed in Germany. Although Sullivan¡¯s work was displayed at the centre of the ¡°Exhibition of New American Architects¡± in Berlin¡¯s Academy of the Arts in 1926, Europeans did not consider Sullivan to be of interest as a theoretician, nor his famous credo „Form follows function¡°.
Heinz Emmichholz explores the boundaries between art and film through a variety of mediums, including film and drawing. His early works are experimental from the perspective of architecture, and he was described by Variety as ¡°architecture's most accurate observer¡±. His films document the origins, fate, history, and demise of architectural modernism.
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Mailart's Bridges